After a Hmong teenager tries to steal his prized 1972 Gran Torino, a disgruntled, prejudiced Korean War veteran seeks to redeem both the boy and himself.After a Hmong teenager tries to steal his prized 1972 Gran Torino, a disgruntled, prejudiced Korean War veteran seeks to redeem both the boy and himself.After a Hmong teenager tries to steal his prized 1972 Gran Torino, a disgruntled, prejudiced Korean War veteran seeks to redeem both the boy and himself.
- Awards
- 21 wins & 22 nominations
Scott Eastwood
- Trey
- (as Scott Reeves)
Storyline
Did you know
- TriviaWalt's dog, Daisy, is Clint Eastwood's beloved family retriever in real life.
- Goofs(at around 1h 35 mins) In the bathroom scene, Walt says to the dog to give him a break because it's the first time he's ever smoked in the house. Actually, he smoked the night before when Father Janovich was with him inside the house and they also drank beer.
- Quotes
Duke: What you lookin' at, old man?
Walt Kowalski: Ever notice how you come across somebody once in a while you shouldn't have fucked with? That's me.
- Crazy creditsThe credits scroll over a highway overlooking the lake shore, with the Warner Logo appearing in black and white.
- ConnectionsFeatured in Jamie Cullum: Gran Torino (2008)
- SoundtracksGran Torino
Written by Clint Eastwood, Jamie Cullum, Kyle Eastwood, and Michael Stevens
Performed by Jamie Cullum and Don Runner
Jamie Cullum appears courtesy of Terrified Records and Universal Music Operations Limited
Featured review
Sour Humour and Pure Badassery
If movies like Indiana Jones, Iron Man and The Dark Knight were the thoroughbred hits of 2008, then Clint Eastwood's Gran Torino is the dark horse. This rousing crowd-pleaser is sure to surprise many, through its copious sour humour and pure badassery, while managing to still be an affecting and sombre dramatic entry in Eastwood's long-enduring and wildly successful career in front of and behind the camera.
You know that a movie has something going for it when it can a) pack in so many one-liners you can't bring yourself to remember them after the show from oversaturation of the brain, b) be unboundedly racist yet still never seen exploitative or condescending and c) make a pure, grit- and-nails, grimacing anti-hero, one man army out of a seventy-eight year old man. What is likely to surprise the most number of viewers is how funny this movie really is. Eastwood's direction and line delivery as a diamond-hard antisocial veteran is bang-on, but never makes the film into a farce or embarrassment. This is due in part to the handling of the more touching dramatic moments which anchors the film in reality and reminds us of what is at play, so to speak.
Following the death of his wife, Walt Kowalski (Eastwood) has nothing left but his dog to truly be with. His two sons and their families drift in and out, but Walt's less then cheerful demeanour and their impartiality keeps them in different worlds and in different times. Walt is peppered by visits from Father Janovich (Christopher Carley) of the local church at the request of his late wife to 'keep an eye on him', but has little place for religion on his heavy conscience; about as much time as he has for his new Hmong neighbours that move in next door. That is until the family's youngest son Thao (Bee Vang) begins to be harassed by a local gang who persuade him to steal Walt's prized Gran Torino as initiation. Saving Thao in an ensuing altercation, Walt sweeps the fatherless teen away from the pressures of the criminal life and puts him to work at the request of his mother. Thao and his sister Sue (Ahney Her) befriend Walt in a way, and for a reason none can truly explain.
All of the Hmong actors in Gran Torino are pure novices who have never acted before and this is readily apparent. While a weak link, the film as a whole is so satisfying it is really a moot point as it serves as no thorough determent. The arc of Walt is simple and easy to predict, but then anything but would not work. Many scenes with the cultural clashes are funny and touching as with an unspoken dynamic with the elderly grandmother of the Lor family next door. A number of exchanges between the few remaining people in Walt's life who he still respects such as his barber and a construction worker who gets Thao a job, are nothing short of comic genius and piece the Walt character into a true three- dimensional individual.
With a great song by Jamie Cullum to conclude the film (which stands as a horrendous Oscar snub, equalled only by the additional snub of the Bruce Springsteen Song from The Wrestler), Gran Torino is a pure gem; a film that both draws unexpected laughs, soft smiles and tears from an audience that is happy to oblige, as well as salute a screen legend in another iconic role that proves even at an old age a dark horse can still kick you in the face.
You know that a movie has something going for it when it can a) pack in so many one-liners you can't bring yourself to remember them after the show from oversaturation of the brain, b) be unboundedly racist yet still never seen exploitative or condescending and c) make a pure, grit- and-nails, grimacing anti-hero, one man army out of a seventy-eight year old man. What is likely to surprise the most number of viewers is how funny this movie really is. Eastwood's direction and line delivery as a diamond-hard antisocial veteran is bang-on, but never makes the film into a farce or embarrassment. This is due in part to the handling of the more touching dramatic moments which anchors the film in reality and reminds us of what is at play, so to speak.
Following the death of his wife, Walt Kowalski (Eastwood) has nothing left but his dog to truly be with. His two sons and their families drift in and out, but Walt's less then cheerful demeanour and their impartiality keeps them in different worlds and in different times. Walt is peppered by visits from Father Janovich (Christopher Carley) of the local church at the request of his late wife to 'keep an eye on him', but has little place for religion on his heavy conscience; about as much time as he has for his new Hmong neighbours that move in next door. That is until the family's youngest son Thao (Bee Vang) begins to be harassed by a local gang who persuade him to steal Walt's prized Gran Torino as initiation. Saving Thao in an ensuing altercation, Walt sweeps the fatherless teen away from the pressures of the criminal life and puts him to work at the request of his mother. Thao and his sister Sue (Ahney Her) befriend Walt in a way, and for a reason none can truly explain.
All of the Hmong actors in Gran Torino are pure novices who have never acted before and this is readily apparent. While a weak link, the film as a whole is so satisfying it is really a moot point as it serves as no thorough determent. The arc of Walt is simple and easy to predict, but then anything but would not work. Many scenes with the cultural clashes are funny and touching as with an unspoken dynamic with the elderly grandmother of the Lor family next door. A number of exchanges between the few remaining people in Walt's life who he still respects such as his barber and a construction worker who gets Thao a job, are nothing short of comic genius and piece the Walt character into a true three- dimensional individual.
With a great song by Jamie Cullum to conclude the film (which stands as a horrendous Oscar snub, equalled only by the additional snub of the Bruce Springsteen Song from The Wrestler), Gran Torino is a pure gem; a film that both draws unexpected laughs, soft smiles and tears from an audience that is happy to oblige, as well as salute a screen legend in another iconic role that proves even at an old age a dark horse can still kick you in the face.
helpful•5818
- Simon_Says_Movies
- Jan 27, 2009
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Ngọt Và Đắng
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $33,000,000 (estimated)
- Gross US & Canada
- $148,095,302
- Opening weekend US & Canada
- $271,720
- Dec 14, 2008
- Gross worldwide
- $269,958,228
- Runtime1 hour 56 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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